I am an activist and visual, sound artist, my practice engage with the medium of sound, video, installation and performance, focus on topics related to critical spatial practices and somatechnologies. My research spans feminist somatic practice, sonic dataveillance and draws attention to the affective relationship between technology and the body.
My work often engage with sonic essay and audiovisual performance, considering how motion can be interpreted through sounds to create rich narratives, and to deliver political urgencies with affective speculation. Working between silence, speech, and music, I stage and pose questions around transparency and opacity, becoming invisible and speaking up, camouflage and assemblage.
I obtained a Master in Art Praxis from the Dutch Art Institute in 2022, and am a founding member of the queer feminist collective Q-Space(2016-.....) in Beijing, China. In 2022, as a member of Soupspoon collective based in Rotterdam, my fellow collective members and I start a long term working group on the research cultivates a common, Asian contextualised space. I am the current resident and operator of Available & the Rat - independent art and project space in Rotterdam.
2023 February at Studio Plesungan. Solo, Java, Indonesia.
2023 January 27th - February 5th CTM Festival, MusicMakers Hacklab. Berlin, Germany.
2022 September - December SOUPSPOON collective. Residency at Goethe Institute, Rotterdam.
2021-2022, Droom en Daad. with Leeron Tur-Kaspa, Rotterdam, the Netherlands.
2021 Sedje hémon scholarship Artez university, Arnhem, the Netherlands.
2020 Holland scholarship
Artez university, Arnhem, the Netherlands.
2018-now Mama cash Fund Q-space, Beijing, China
Exhibition & Performances
2023 June 8th OT301, Outline Expo,
Amsterdam, the Netherlands. Group.
2023 February 5th.
Rifts - MusicMakers Hacklab Finale. CTM – Festival for Adventurous Music and Art. At HAU 2. Berlin, Germany.
Exhibition “I happen to do this for you” Frascati Theater. Amsterdam, the Netherlands.
“VV” In the Track of “Welcome to our Guesthouse” Sound design for performance by Melyn Chow, Jinghong Wang. At Theater Rotterdam. The Netherlands.
2022 August. “Fruiting bodies” Interactive sound installation “Don’t forget that gut feeling” group presentation. At BACO(Base Arte Contemporanea Odierna), Orto botanical, Bergamo, Italy.
“Thresholding: to the limit of an arrival”, in the frame of “Aeroponic Act” of Dutch Art Institute Video installation and performance. At Centrale Fies, Dro, Italy.
2022 June. “under_score #1”, Video work. Performing Art Forum(PAF), St. Erme, France.
“Symphony of Intimacies” in the frame of „SENSE – Geographies of Perception“. At Radial System, Berlin, Germany.
2022 January - April. “Seasonal Neighbours, Our Invisible Hands” Seeds on the table, I am looking at her looking at them looking at me. Group exhibition. Sound composition, in collaboration with Ioana lupascu. At Z33 House for Contemporary Art, Design & Architecture, Hasselt, Belgium.
“Symphony of Intimacies” At DAAD Gallery, Berlin, Germany.
2020 September. “Queering safer space - hacking public sensibility, vulnerability and creativity”. Lecture performance. At Independent Art Space Festivel(IAS), Beijing, China.
2019 September. “Misplacement Display” At Independent Art Space Festival(IAS), Beijing, China.
2018 August. “Enter Solo/Group” At Institute For Provocation, Beijing, China.
2022 Disappointment Letter. Girls Like Us.
2021 “For Tear & Tears” Chusma calendar, CHUSMA 2.0, A Coalition of Gossip, Dutch Art Institute.
2021 Subtropical Asia Guest writer https://subtropicalasia.com/